In the front row, the young men, who came with their families, make the average age of the rest of the room smaller. Children get excited, then calm comes from the first pictures. “I don’t go much to the cinema, I’ve never seen a movie like that, as I shyly delighted 7-year-old Louise. I liked it, the seats were soft and the movie was nice but I closed my eyes when the demons were there. Louise and her friend Kiara leave the session with wide eyes confused by a feature film.” long.
original techniques
Sandrine is a diligent festival goer, frequenting Fema all week and attending several sessions a day. Today, she accompanies her daughter and a friend to watch programs intended for a young audience: “It is an opportunity to introduce children to original animation techniques, which they rarely see elsewhere. It is also an opportunity to introduce them to Portuguese culture. She is also seduced by the message of the film, which transcends themes from adult life, and transformed from In order to transfer hair to children.
The first scene is made in 2D, the cold colors illustrate the life of the city of Rosa, the main character. Overwhelmed by her work and trapped in everyday life, this woman is pushing her little by little toward a crack: exhaustion. At the same time, she learned of the death of her grandfather, who raised her. Disturbed, she goes to a remote village in Portugal to immerse herself in her family’s secrets. It was the voices of Alois Sauvage and Pierre Richard that brought Rosa and her grandfather to life.
“It’s strange things that move on their own,” comments Clement, who attended this Portuguese film with his parents. The children were surprised to see the figure of Rosa transformed into a clay figurine, she had barely reached her native land. Figures are modeled in ceramics and evolved into crafted decor in model making. This laborious and time-consuming technique allows objects to be moved in size, giving the impression of natural movements.
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